The Last Picture Show of Home Movies

The fifth series of MatH gets new credits.  The trio are on a boat.  Not only do I have no idea how they can afford it, but Robin is drinking champagne.  Chrissy tries to start the motor but falls back.  Then she pulls up a snorkel, throws it back to the diver, and tries to look nonchalant. 

Jo sunbathes on her stomach and undoes the top of her bikini.  A fisherman catches her top.  She's next shown sitting up, with a towel over her front.  She's surprised and then amused.  Robin strips off his shirt then hands it to Jo.  He and Chrissy smile.  Robin takes off his hat, which says, "Hello Sailor," and bows to Jo.

I don't like these as much as the zoo credits, although Robin's chivalry is cute.  It feels off to have Chrissy suddenly having mishaps like this.  (Jo's mishap is not of her own making.)  Also, there's less of a feel to the trio having fun together, compared to the zoo credits.  I'm guessing for series six, we'll get a modification of these, but I won't spoil myself this time.

As for the episode itself, it aired on 4 September 1975, just about two years after "And Then There Were Two."  The title is of course a reference to the 1971 film directed by Peter Bogdanovich, based on the 1966 novel by Larry McMurtry.  The Americans went with the more prosaic "Home Movies" for their 24th episode, which appeared on Jan. 24, 1978.  That placed #14 in the ratings, the second-lowest rated episode in the first three years of the show.  (The pilot was #28).  Not that that's a bad rating, but it feels particularly low considering the teasing premise.

Battleship Potemkin:  MatH opens with Jo and Robin sitting on the settee.  She's reading a magazine and he's watching the telly, with an archbishop at the Methodist Conference.  Jack and Janet are watching TV together, but from their body language, she's riveted and he's bored.  A male character is threatening suicide, with his wife trying to talk him out of it.

Robin uses the remote to switch to a description of a boxing match.  Then he switches back to the conference, amused at the juxtaposition.  Jo tells him to stop that or he'll break the channel-changer.  He says there's nothing else to do.

When Jack switches the channel, Janet is upset.  Jack switches back, at a dentures commercial, which he makes segue into a glue ad.  All Janet catches is the end of the movie.  When Jack gets off the couch, she lies down.

Robin /Jack says the ice glaciers are advancing at a rate of half an inch every year.  He thinks they should take advantage of the time left, so he tries to take advantage of her.  In Robin's case, he jumps her and she pushes him off.  Jack is less aggressive.  He hovers over Janet's supine body and tries to kiss her.  She pushes him away and says no dice.  He tries to use the remote on her.

Brit-Chrissy comes home with a man wearing glasses, a plaid jacket, and a pink tie.  He's a very tall redhead who smokes a pipe and carries a briefcase.  Amer-Chrissy's date looks less stereotypically pseudo-intellectual, but both he and she are wearing turtlenecks.  Peter Greene plays Brit-Neil and he doesn't have any memorable credits, just the usual Dr. Who, Carry On, etc.  Stuart Gillard would go on to be a successful director, most notably for Avonlea and Charmed, so his role as Neil the film buff feels especially appropriate.

The Chrissys are surprised that their roommates are still awake.  Robin says it's half past ten.  When Amer-Chrissy says, "I thought you two would be in bed by now," Jack smiles and says, "It's not for lack of trying."  Janet puts popcorn in his mouth.

The Chrissys introduce their date, Neil.  He belongs to the local film society, which tonight was showing The Battleship Potemkin ( http://en.wikipedia.org/wiki/The_Battleship_Potemkin ), with two hours of footage that Eisenstein left on the cutting room floor.  Jo says, "We had a pretty boring evening, too."  Chrissy suggests Jo make coffee.  For once, 3'sC is subtler.  Janet just looks dubious and goes to make herself coffee.

Brit-Chrissy and Neil sit on the settee, she next to Robin.  She and Robin make faces at each other, as she tries to signal to him to leave.  Amer-Chrissy and Neil sit down on the couch, but Jack remains standing.  (I have a theory, which I'm not going to try to prove, that Jack says more of his lines standing than Robin does, at least in the early years of the show.  I have a strong composite mental image of him delivering punch lines that way, sometimes with his arms crossed.  Robin is more likely to be slouching in the chair or on the settee, because he's more laidback.)

Robin/Jack says that Chrissy said Neil is interested in rotten old films.  She says she didn't say it like that.  Neil says it's a fair/good point though, since most of them are on nitrate stock, which doesn't last long.  Robin/Jack says two hours sounds long enough to him.

In talking about the movie, the Chrissys accidentally say Einstein.  The Neils correct them, Amer-Neil adding that Einstein did the theory of relativity.  Amer-Chrissy asks, "Was that a silent or a talkie?"  Jack is amused, so she tells him to go help Janet. 

Brit-Chrissy says you could feel the man's (Eisenstein's) presence in every frame.  This reminds Neil and he takes a wrapped gift out of his briefcase.  Now Chrissy tells Robin to go help Jo.  Robin is very winky about leaving the room.  Jack is even worse, taking Robin's simple line of leaving them to get on with it and making it into "I'll leave you two to get it on."  He slaps himself and says, "I mean to get on with it."

Brit-Chrissy looks like she's about to kiss Neil, then Robin pops back in from the kitchen to say they won't be interrupted.  Amer-Neil looks like he's going to kiss Chrissy, as he puts his arm behind her.  They even move in for a kiss, before Jack comes back to say, "Don't worry, no one will disturb you."  They try again, but he returns to say everybody in this building minds their own business.  Janet has to yank him back into the kitchen.

We get a little scene in the British kitchen.  Robin didn't know it's almost Chrissy's birthday.  Jo says that all week Chrissy has been saying, "I'm 22 on Saturday."  Well, what do you know?  Chrissy was lying to her mum!  Unless she's now lying to her flatmates.  If she's 22 on some Saturday in late August (this episode covering at least a few days), then that puts her birthday in August 1953.  She moved to London when she was 18 and turned 20 around the time we met her.  She was still 20 when she was dating the 30-year-old.

Robin says he forgot to get Chrissy a gift and there's no time.  Jo says, "And the ice glaciers are advancing half an inch every year."

Perfume:  We switch to the Ropers' bedroom, where she's wearing a frilly nightdress/gown and spraying herself with perfume.  Mildred even puts it in her mouth and cleavage!  Mrs. Roper calls out to her husband.

He comes in with his toolcase/toolbox.  When she asks why, he says something's missing from it.  She asks if he means his mucky/dirty little magazines.  He says they're art.  Helen gets the line, "Yeah, they're full of busts."  Mildred says they have titles like Wink, Nudge, and Titter.  George buys them for the articles on motoring and male fashion.  Mildred looks at him in his boring striped pyjamas.  Stanley says he buys them for the articles on male fashion and automobiles.  Helen doesn't really react.

Mildred packed them up and gave them to Oxfam (second Oxfam reference on the show).  Helen gave them to the Salvation Army.  Stanley threatens, "Helen, one of these days you're gonna make me come after you."  She says, "God knows I try."

Mr. Roper gets into bed and then wonders what the bad smell is.  She says it's her perfume.  Mildred's is "Tonight or Never," Helen's "Now or Never."  Mr. Roper says that's half right.

Mildred actually saved one of George's magazines, but he's not in the mood.  He soon falls asleep and snores, or at least fakes it.  She hits him with the magazine.  On 3'sC, all we get is Helen pulling the sheet over her head in frustration.

Presenting:  In the kitchen the next morning, Brit-Chrissy is unwrapping her birthday presents.  Jo got her a nice bracelet but a card for a 4-year-old.  Jo didn't read the verse first.  Robin, who's in his "slow dancing" shirt from the gardening episode, gives her an IOU for a card and present.

Larry comes in, wearing his Oxford shirt.  He wants to borrow a sausage (said without innuendo).  He asks, "Who's in line for the big birthday kiss from me?"  Robin queenily says, "Well, if you really insist," and puckers up.  Larry doesn't kiss anyone.

The American trio are reading the newspaper in sections, which after awhile they trade counter-clockwise.  Chrissy gets the obituaries and says it happened again, people keep dying in alphabetical order!  The doorbell rings and she goes to get it before Janet can explain.  Jack says sometimes Chrissy is right about these things, and maybe they should change their names to something beginning with Z.  Janet says he'd have to call himself Jack Zipper.  He says he wouldn't like that because people would make remarks like "Hey, fella, your name is open!"

Amer-Chrissy returns with a package from home.  She says it's not her birthday or anything.  Jack says he was beginning to feel guilty.  (But I thought Chrissy was born in December/January?  Again, lousy continuity.)

Brit-Neil's card says he didn't know what to get her, so he got her something he needs himself.  Robin asks how Neil put a kick up the backside in the box.  Chrissy says, "Oh, you've never liked him," making it sound like she's gone out with Neil awhile.

Neil got her a cinecamera.  Robin says, "As seen on television," probably a reference to a specific advert.  Amer-Chrissy's parents got her a movie camera, too.  She says she told them she's dating "a nice Methodist boy who likes films."  Jack says, "Great.  Next time tell them you're going out with a banker."

The Chrissys say they'll have lots of fun with the camera as soon as they learn how to use it.  Robin/Jack shows her that she's holding it backwards. 

Curse:  Mildred is reading Beauty Time magazine.  She lowers the cover and we see that she's wearing a white "face pack" as she calls it.  It needs to set for ten minutes.  Meanwhile, Helen is lying on the couch with a green face.

Mr. Roper comes home wearing a raincoat.  Stanley is reading Playhouse, with a buxom blonde in a lowcut blouse and what a few years later would be known as Daisy Dukes.  He has other magazines rolled up in his pockets.  He sees Helen resting on the couch, so he hides this magazine in a pocket, too. 

George says he had his morning constitutional around the block.  Stanley says there's nothing like a nice brisk walk around the block first thing in the morning.  Helen says she thought he went upstairs to fix the window in the kids' apartment.  (It's a different window this time, as we'll see.)

Mr. Roper notices the face pack and is surprised, but then he tells her he likes it and she should leave it on.  She says insults bounce right off her.  He says a brick would bounce right off that stuff.

George says Christopher Lee had something like it in Curse of the Mummy.  He went around murdering people.  Mildred says she knows how he felt.  Stanley says Lon Chaney wore something like this in The Mummy's Curse.  He does his patented take, but it doesn't get applause.  Then she says, "He's got his curse, I've got you," and that they clap for.  Christopher Lee never actually did a movie called Curse of the Mummy, but he was in The Mummy (1959) as the title role.  Lon Chaney, Jr. did star in The Mummy's Curse (1944).

Mr. Roper is going to take a shower/bath, and his wife wonders why he's wearing his raincoat.  Mildred says he's been buying more of those dirty little magazines.  He refuses to discuss it.  She yells at him and breaks her face pack.  She cries. 

Helen says he can give those dirty magazines a bath, too.  He claims he got Popular Mechanics and Reader's Digest.  She says, "Oh, go fix your window."  He leaves.

Interesting:  Upstairs, Brit-Chrissy has three lamps on as she films Robin sitting in a chair in the lounge.  She tells him, "Don't just sit there, do something interesting."  So he lifts his shirt and touches his nipples.  She says, "Not too interesting."  He lowers his shirt.

Amer-Chrissy films Jack reading Fashion magazine.  When she tells him to do something interesting, he does his perve act and comes towards her.  She tells him not that interesting.

Jo comes in from the kitchen and tries to put face powder on Robin, Jamaican Dust.  He theatrically exclaims, "With hazel eyes?  You must be mad!  Cancel my contract, I'm leaving the set!"  Janet manages to put face powder on Jack, but he balks at blue eyeshadow.  He says, "I'm walking off the set, cancel my contract."

Brit-Chrissy follows Robin through the kitchen.  Amer-Chrissy goes after Jack across the living room.  The Chrissys are still filming, so they say to do something natural.  Robin/Jack opens the bathroom door and says, "I'm about to," and she can't film it.

Brit-Chrissy has Jo pour cornflakes into a bowl, meanwhile smiling, frowning, and then laughing.  The cornflakes get all over the table, but neither girl seems to care.  Amer-Chrissy takes flowers out of a vase just so Janet will arrange them.  She makes Janet laugh, too, for quite awhile.  Then the Chrissys say tomorrow they must try this with film in the camera.

Jo says, "What?" and the British scene ends there.  But Janet chokes Amer-Chrissy and then the doorbell rings.  As she goes to get it, she says, "Next time, please date a stamp collector."

She lets in Mr. Roper.  She asks if it's raining outside and he says no.  Jack returns from the bathroom, still made-up.  He also asks if it's raining.  When Mr. Roper asks about Jack's face, he says, "Just a little eyeshadow.  Do you like it?"  He leans forward.  The audience laughs and appluads.

The broken window is in Jack's room, so he goes in and beckons to Mr. Roper with only his hand and arm visible.  Mr. Roper says he'll find it himself.  Jack reemerges and hisses at him.  The audience is delighted.  The trio are very amused.

The first picture show:  The next scene is also in the lounge/living room, but everyone's in a different outfit from before.  Brit-Neil is at a projector, while Chrissy sets up a screen, with Robin and Jo on the settee.  In America, Neil is on the couch, Chrissy is at the projector, and Jack does the screen.  Janet is absent but presumably watches the movie at some point, based on her behavior later in the episode.

Jack says he's going to the game with Larry tonight (probably basketball again).  As the doorbell rings, Jack says he's sure Chrissy's movie will deserve to be hidden away in the archives.  She takes this as a compliment.  Jack lets Larry in.  Larry says the game starts in 15 minutes, but Jack says this won't take long. 

Brit-Larry lets himself in, "ready for the big premiere."  He makes another joke about strawberry ripple, which I still don't understand.

On MatH, Larry is of course an established character by now, the sixth biggest on the show (after the trio and the Ropers).  But this is actually only the second appearance of Amer-Larry.

Brit-Neil says that he borrowed the projector from the film society.  Robin mocks Neil's posh accent in an aside to Larry.  Jack tells Amer-Larry that Neil collects old sprocket holes.

The Chrissys start the movies.  Brit-Chrissy's is in black & white and silent.  The shots are very blurry and shaky at first.  Robin holds up a movie clapboard that has Chrissy and Friends as the movie title.  He hurts his hand shutting the clapboard on it.

Then Robin, Jo, and Larry stand close together.  Chrissy wanted an action shot, so they all jump once.  Larry looks bored, Jo as if she's having a great time, and Robin somewhere in between.

Next a shirtless Robin dives, and then splashes in a kiddie pool.  Chrissy seems to have filmed at least some of this movie in a park.

Larry opens his shirt and starts to unzip his trousers.  Then we see a random housewife (in curlers) smiling and modeling for the camera.

Jo plays with a beach ball but she's lit so darkly that we can't see any details.  Thus, when Chrissy says this is the part where Jo lost the top of her bikini, and Larry and Robin lean forward on the settee, we can't see anything.  Chrissy admits, "Not a good shot really."

Chrissy put herself in, like Hitchcock she says.  She's wearing a long dress and holding a drink.  She sits in a chair with an umbrella, which after a few moments closes on her.

Amer-Chrissy's movie, in contrast, is all set in the trio's living room.  It opens with an extreme close-up of Jack's smile, at a 45-degree angle.  Jack mimes a clapboard and camera.  This is also a silent movie, but in color.

Janet comes in the front door.  For the "action" shot, she and Jack do lots of hopping, still at the odd angle.

Then we get a normal angle for Jack in the kitchen, making an omelet or souffle.  He tries to flip it but has to catch it in his hand and put it back in the pan.  Janet comes over and kisses his cheek.  He exaggerates his surprise.  Then he kisses her and backs her onto the table.

Next is a sideways shot of Jack with a glass.  Janet hands him a wine bottle.  He pours the wine into the glass.  The men and Chrissy tilt their heads as they watch.

Chrissy says in the next part Janet is going to the beach.  Janet enters from her bedroom in a pink bikini, holding a beach ball.  Chrissy says Janet loses the top of her bikini.  The men lean forward.  But we next see a close-up of Janet's face looking worried and surprised.  Then she smiles.  The camera backs up, to reveal her holding the beach ball in front of her.  We can just see her naked shoulders.  The men lean back.

The film ends and the Chrissys ask, "What did you think?"  The Brits are particularly speechless, till Neil says it was very interesting.  Robin agrees.  In America, it's Larry who agrees with Neil that it was very interesting.  Brit-Chrissy says there are another 20 minutes to go, while Amer-Chrissy says there are six more reels.  The men's body language says they're dreading it, the American men in particular.  Amer-Larry even tries to leave, but Jack stops him.  (So much for the game.)

And both shows go to a break.

Sampler:  When MatH comes back, we open on a sampler that says, "Home Sweet Home."  For some reason the audience finds this funny. 

Robin is in a bathrobe (dressing gown?), with a towel over his shoulder.  He walks through the kitchen and towards the bathroom.  He opens the door but doesn't go in.  Jack comes out of his bedroom fully dressed and goes into the bathroom. 

Robin/Jack apologizes to Jo/Janet, who's having a bath.  (We don't see anything, on MatH because she's offscreen and on 3'sC because of the shower curtain.)  Robin/Jack says they really need to get the lock fixed.  (Yeah, it's been over a year on both shows!)  Robin steps away and then goes back as he talks, while Jack just says the bit about people coming in and staring at her.  Jo/Janet tells Robin/Jack to get out and throws the sponge at him.  Jack tells Janet she needs more bubbles.

Someone knocks/rings the doorbell.  Robin/Jack answers it.  It's Larry.  Amer-Larry hasn't yet fully transitioned from his car-salesman plaid to his swinging singles threads, but he is wearing a suede jacket.

The Larrys ask if the girls are home.  Robin/Jack say the Chrissys are getting dressed and Jo/Janet's having a bath.  Robin says, "They actually float," which the audience takes suggestively, then he holds up the sponge.  Amer-Larry asks, "What are you doing with the sponge?"  Jack says he has to do everything around here.

The Larrys want to borrow the projector.  Robin/Jack says they'll have to ask the Chrissys.  The Larrys say the Chrissys might not approve of blue movies.

Last week Brit-Larry met a bloke at the pub (unspecified but probably the White Swan), while Amer-Larry met a guy at the Regal Beagle.  The bloke was named Ken, Sid, or Fred.  He works for customs.  He confiscated some blue movies, red hot stuff.  They should've been burned but his lighter wasn't working.  He's selling them for a fiver a throw. 

The guy was named Kenneth.  Amer-Larry doesn't know him well enough to be on last-name terms.  Kenneth has a friend on the vice squad.  He has some really hot films that were confiscated and should've been burned.  Kenneth is selling them for 50 bucks.  (Either the exchange rate and the inflation between 1975 and '78 were incredible, or Amer-Larry is getting ripped off even more than we think.)

Robin/Jack doesn't want to loan the Larrys any money.  Brit-Larry says he's not always on the borrow, and Amer-Larry makes a similarly unbelievable claim, although in his case it's a bit more plausible at this point because his character is less familiar, only known for giving Jack a puppy in order to cancel a debt.

The Larrys will come up with the money themselves, but they still want to borrow the projector.  The Chrissys come in and the Larrys ask when the projector has to go back.  The Chrissys aren't sure but ask why the Larrys want to know.  Meanwhile, Jo comes in wearing a towel.  She wants her sponge back.  Robin presents it to her.

The Larrys say they want another chance of seeing the Chrissys' movies.  The Larrys say they really enjoyed it.  Jack rolls his eyes.  Jo says, "Oh, may God forgive you."  She says he fell asleep.  He says that's why he wants to watch again, because he missed most of it.

The Chrissys can't show the movies right now because Brit-Chrissy is meeting Neil at noon, while Amer-Chrissy is meeting him in half an hour.  Amer-Chrissy says, "Oh, darn," so Jack imitates this when feigning disappointment.  Brit-Chrissy says to Robin, "And you said it was boring."  She adds that some people are easily bored, and she exits.

N.F.T.:  This transitions to a sign that reads, "N.F.T. presents/ An Exhibition of STILLS/ from the FILM ARCHIVES 1894-1920."  A couple, he with a beard, walk over to the sign and look very happy.

Then we see Neil and Chrissy and she looks very bored as he talks about a still from 1894.  When he mentions D.W. Griffith, she thinks "Dee" is a woman.  He says Griffith pioneered the close-up.  She says she used one in her film.  She says she knows her film wasn't very good, it was pretty terrible.  At first he's polite, and then he says it was dreadful.  She's hurt.

They go over to another still.  Then he recognises a blonde named Diana.  He and Diana met at a film conference.  He "pinched her seat," but this is said without innuendo.  They talk about the conference and clasp hands for about 15 seconds.  Chrissy now looks jealous but still bored.

There's no equivalent scene on 3'sC.  Catherine Riding plays Diana, and she has only a few, very minor credits.

Approval:  One of the tasks Mildred said George should be doing (when she was yelling at him and broke her face pack) was mending the stairs, so that's what he's doing in the next scene.  Meanwhile, Stanley is clipping the hedge outside his apartment. 

Jo comes down the stairs, and then Brit-Larry comes in the building, happy she's going out.  She's going to the laundrette.

Amer-Larry comes downstairs and asks Stanley if he's clipping the hedge.  Stanley says Larry is very observant.  Larry tries to hide the film behind his back.  Janet has a laundry bag, so Larry asks if she's going to the laundromat.  Stanley tells her that Larry is very observant. 

After Jo leaves, Brit-Larry trips over George while going up the stairs.  He drops his movie.  Janet accidentally knocks down the film with her laundry bag as she exits.  Mr. Roper picks up the film and reads the title:  Red, Hot, and Randy in England, Naked Dreams in America.  The cover isn't visible in America, but the British one shows a naked woman turned to the side, her face, arm and shoulder visible.  Her hair is sort of like in the bottom picture here:  http://gugelpicek.blogspot.com/2010/07/60s-hairstyles-60s-hair.html .

The Larrys say there's a projector upstairs.  Mr. Roper asks if the Larrys are going to show the film on it.  The Larrys say that's a good idea. Mr. Roper says that as landlord, it's his duty to see that any film shown in this house meets with his approval, and he does approve of the title.

The Larrys invite Mr. Roper up to watch the movie.  Mr. Roper says he'll go get his glasses, Stanley so eager that he doesn't even let Larry finish the invitation. 

Cleaning:  George/Stanley hunts for his glasses.  Mildred comes in with a magazine that has a cover of a woman naked except for stockings, one hand covering her crotch.  Helen enters with Playhouse.  Mrs. Roper found her husband's hiding place.  He says he doesn't hide the magazines, he leaves them in a convenient spot.  Anyway, what was she doing on top of the wardrobe?  She says she was cleaning up the dirt.  Mildred flicks her feather duster at the magazine.

Mildred says she's going to make a serious effort to understand why he reads this sort of muck.  Helen says she's going to do her best to try to understand why he reads this stuff.

Mildred opens the magazine to the centrefold and asks, "What does that do for you?"  He hesitates, then puts on his glasses.  He says the girl is upside-down.  She says the girl was photographed that way.

We mostly see the covers, but if you pause at the right moment (which of course viewers couldn't do 35 years ago), you'll see that when Mildred holds the magazine sideways, there's a tan or black woman with black pubes!  This is even more startling than the dirty-word Scrabble.

On 3'sC, the centerfold is much more discreet.  We see a girl whose very long red hair hangs down from her head and covers most of her naked body.  Stanley may say he reads about the automobiles, but he doesn't know what a Ferrari is.  Helen says there's one right next to the girl with the big-- He says, "Ah!  Nice hubcaps."

Mildred:  What has she got that I haven't got?
George:  Now don't be silly, Mildred.

Helen:  Why do you have to look at pictures like that when you've got me around?
Stanley:  All day long people have been asking me stupid questions.

Colo(u)r:  Upstairs, the Larys are trying to load the blue movies onto the projectors.  Brit-Larry says the movie is in full colour, mostly pink.  Amer-Larry says it's flesh color mostly.  Brit-Larry says the movie has sound.  Robin asks what kind.  Larry laughs as he says, "I dread to think."

Robin/Jack asks Larry what this sort of thing does for him.  Larry says Robin/Jack is just as interested as he is.  Robin denies that and will sit here denying it all through the movie.

Then the Chrissys come home.  Brit-Chrissy says boring Neil met a boring girl and had a boring conversation about boring film and she got bored.  Amer-Chrissy says she's had it with that stupid boring Neil.  He told her how awful her movie was.  "Who does he think he is, D.W. Hitchcocks?"  (Combining two of the directors mentioned on MatH.)  The guys mouth, "What?" at each other.

The Chrissys ask what the men are doing.  Robin stutters and then says Larry is going to watch Chrissy's movie.  On 3'sC, Larry does most of the stuttering.

When they see that the Larrys are having trouble with the projector, the Chrissys say they can do it, no problem.  Robin/Jack says there is one problem.

Jo/Janet returns, since the laundrette/laundromat is closed on Sundays.  The Larrys and Robin/Jack say, "Two problems," in sync.

When the Chrissys say they're going to show the home movies again, Jo/Janet wants to go out again.  Robin/Jack says that's a good idea and they can all go out, since only the Larrys want to watch.

Then Mr. Roper comes in the open door without knocking, glasses in hand.  George/Stanley is surprised that Brit-Chrissy/Janet is interested in this sort of movie. 
Jo:  Of course she is.  She's in it.
Amer-Chrissy:  Of course she's interested.  She's in it!
Stanley is particularly shocked.  The audience claps.

Brit-Chrissy says so are Jo and Robin.  "Larry gets a bit as well."  Janet says, "So are Jack and Chrissy."  Brit-Chrissy wants George's opinion, like does she zoom in too quickly?  He says, "I'll watch out for that."

Mrs. Roper comes in.  She says her husband snuck out when her back was turned, Helen adding the detail that she was checking on her casserole.  Mr. Roper says he was invited upstairs.  Brit-Chrissy/Amer-Chrissy say it was to watch her home movie.  Mrs. Roper wants to watch, Helen especially enthusiastic.

Stanley:  I'm tired.  Why don't we go to bed?
Helen:  No, Stanley, I'd rather do something we can do together.

Robin tells Brit-Larry, "Oh, death, where is thy knife?", presumably deliberately mangling the quote.  Jack goes over to Amer-Larry with a fake smile and asks where the earthquakes are when you really need them, a more Southern Californian kind of comment.

The Larrys think Robin/Jack should say/do something.  Jack says, "Me do something?  It's your movie."  He punches Amer-Larry's shoulder.  But he does try Charades.  Larry mimes cutting.  Robin suggests a game of cards, or Twenty Questions, or I Spy. 

The distractions don't work, so Robin/Jack says he did his best.  The Larrys say, "That was your best?"

The Chrissys start the movies.  Robin and Brit-Larry cover their eyes.  But in England we see The Nearsighted Mr. Magoo, while America gets Woody Woodpecker.  Robin and Larry hear Jim Backus's chuckles and lower their hands.  On MatH, everyone is puzzled for different reasons, but Amer-Chrissy says, "What a nice surprise, Larry!  They always show the cartoon before the main feature!"  (And, yes, they sometimes still did that in the late '70s.  By the rise of the VCR in the mid '80s, the practice had faded.)

Brit-Larry:  That cost me a bloody fiver!
Amer-Larry:  Fifty bucks for Woody Woodpecker?

Brit-Larry says he'll murder that Ken.  Robin says, "Or Fred or Sid or whatever his name was."  Then he playfully slaps Larry and the episode ends. 

Jack is very amused and he says, "Thank God for Kenneth Whatshisname!  He really gave you the bird!"  Then he does the "Woody" laugh.  Helen laughs a lot.  Janet mostly seems amused by her.

Artist:  For the 3'sC tag, Amer-Chrissy is wearing an artist's smock and making a charcoal picture as Stanley poses with a plunger.  He's apparently been doing this for two hours.

Jack and Janet come home with groceries.  Janet tells Jack that Chrissy's new boyfriend is a painter.  (Janet always seems to know more about Chrissy's boyfriends than Jack does, which makes sense considering she's Chrissy's best friend, and Jack usually dislikes Chrissy's beaus.)  They go over and look at the picture.  They think it's pretty good and Mr. Roper won't believe the likeness.  Then there's a shot of Chrissy signing her name to a picture of the plunger.  All in all, one of the stronger tags, although I can see why it got cut in syndication like most of them.

Commentary:  From MatH's new credits onward, this pair of episodes is about teasing the audience.  That we actually do get to see some porn on MatH is deliciously ironic, although my guess is that they figured it was easier to buy an actual skin mag than to invent something like Playhouse.  (Or they wanted to see what they could get away with, like the dirty Scrabble.)  Like I said, without a pause button, '70s audiences would only get a glimpse.  And the British censors are obviously a lot less strict than the American ones.

The part with Jo's bikini top being fished away will remain through the season, as I know from watching MatH31, but it does foreshadow what happens to her during Chrissy's movie.  This pair of episodes is unusual for having Robin and Jack chase after the J-girls more than the Chrissys.  Not only do they hope to see Jo and Janet without their bikini tops, but there are the opening scenes with them using boredom as an excuse for seduction, as well as Jack backing Janet up onto the kitchen table during Chrissy's home movie.  (Actually, Robin gets fresher with himself than he does with anyone else.)  Instead of feeling competitive with the Neils, like they did with Ian/Lloyd and David/Michael, they seem to have given up on the Chrissys for the moment.  (Not that RCST is dead by any means, just hibernating.)

Brit-Neil seems like a pretentious jerk throughout, but Amer-Neil doesn't seem too bad, until he offscreen is harsh about Chrissy's movie.  Amer-Chrissy's parents are happy to hear she's dating a Methodist (her religion being more integral to 3'sC than the passing reference on MatH), but it doesn't take her roomies long to start talking about who she should date "next time."  And indeed she's already hooked up with some nameless artist by the end of the episode.

As with the line about only a man would get a girl pregnant, some of the lines that Brit-Chrissy says that sound like simple mistakes become fodder for the dumb-blonding of Amer-Chrissy, like the expansion of the Einstein slip. 

It's interesting that instead of the scene at the exhibition, we get the sub-subplot of Stanley fixing Jack's window and being frightened by Jack hitting on him.  Stanley doesn't make any homophobic remarks this episode, but there's a sense of payback for the times he has.

These episodes seem to have more than their share of comedic references to violence.  Among them:
1.  Janet yanking Jack by his hair
2.  Stanley threatening to "come after" Helen (although she takes it sexually of course)
3.  Mildred hitting George with a magazine
4.  Mildred relating to the murderous mummy
5.  Janet choking Chrissy
6.  Jack punching Larry's shoulder
7.  Brit-Larry saying he'll murder "Ken"
8.  Robin slapping Larry
Also, the relationship between the Amer-Ropers is much more antagonistic than that between the Brit-Ropers on these episodes.

It feels like Helen gives up on Stanley more this episode than Mildred does with George.  Mildred yells at George, while Helen says, "Oh, go fix your window."  Helen pulls the sheet over her head rather than continue trying to seduce Stanley.  And she would rather watch a home movie than go to bed with him because the former is something they can do together.

It's slightly surprising that Mildred saves one of George's magazines, and seems to want to use it as a tool of arousal, but neither Mr. Roper wants to share pornography with his wife.  (George probably had to find a new place to stash his magazines when Larry moved into the attic.)  I don't know the laws on exhibiting adult movies in private residences, not for profit, in the 1970s, U.K. or U.S., but it's a safe bet that landlords had no such duty to approve them.

"My Son, My Son"

The twenty-sixth episode of MatH might've made it as a 3'sC episode, but it feels rather rooted in the characters, Robin and George in particular.  It aired on 10 April 1975, closing out the fourth series.

Dripping:  As the episode opens, the trio are in their kitchen.  Jo has made toast on toast because there are no eggs.  Robin sarcastically says, "Oh, great!  I could make a sandwich if I had some toast to put in it."  He likes the (egg) dripping, so Chrissy offers to pour a bucket of water on him.

Jo says that Tesco's has a new policy:  they want money in exchange for food now.  The trio have all been borrowing from the rent book, and they're down to 12 quid.  Chrissy says she had to pay the rates, the gas, and the electricity, all final demands.  Robin says she's frittered their money away.

He took a girl out for a bite.  Chrissy asks if he couldn't have bitten the girl for cheaper than that.

He wants her to tell Mr. Roper about the rent.  She says, "Oho, but notice the smooth way it shifted from I to we to you."  The rent isn't due till Monday, and he says they could wait till then, or Tuesday.

Oxfam:  The Ropers are also in the kitchen.  Yesterday she wanted a new hat and he now says yes, having had to consider it a day.  She wants a style that hides the face, which he thinks is a damn good idea.

She says her wardrobe looks like the window at the Oxfam shop.  ( http://en.wikipedia.org/wiki/Oxfam#Shops )  He can't believe a hat would cost five pounds.  And he says she has a natural beauty that doesn't need expensive adornment.  She sees through him.

She brings in the post.  He's gotten a letter from Inland Revenue Service!

Misc.:  This transitions to a close-up of the trio's bills.  Chrissy has put most of their items under miscellaneous. 

Jo suggests taking out their phone.  If they want to talk to their friends, the friends could ring the trio instead.

Chrissy says they can't economise 68 pounds within 48 hours.

Someone knocks.  Chrissy says if it's Larry, they're not lending him anything.  So Robin answers and tells Larry they're not lending anything. 

Larry says he just wants sugar, and asks if a friend can't borrow from a friend.  So Robin asks to borrow 68 quid.  Larry says he has a fiver, which he won't lend.  He tells the girls it'd be no good them acting all sexy and pressing up against him.
Chrissy:  For a fiver?
Larry:  I could make it six, no?

He says he has a cert in an upcoming race. 

Jo is going to get credit at the shops by flirting, including with one man over 70.  She leaves.

Larry's cert is called Front Page.  It's 8 to 1.  Robin wants to bet on it, but Chrissy is hesitant.

Claim:  Mildred returns with a new hat, a black sort of cowboy-style.  George says, "You look like Lee Marvin."  It was half of a price she didn't ask.

She asks about the IRS letter.  They got him on a technicality.  He's been claiming "Leslie Roper," their nonexistent son.  He accidentally claimed him and then accidentally gave him a name.  Mildred calls her husband a little crook.  And then she finds out he's been claiming Leslie since 1955!

Front Page:  Upstairs later, Chrissy tries to get reception on the telly.  Robin and Larry come in.  Robin bet 12 pounds, since they might as well not have all of the rent money. 

She says the set is on the blink, so Robin lifts the contraption with rabbit ears off the top of the television.  She directs him so they can get reception.  Larry says a whack on the side usually helps.  She says, "No, he's doing his best."  Robin ends up on the balcony.

Larry says he's seen better pictures on the radio.  They get the race in, but Robin can't see it from out on the balcony, so he sets the rabbit ears on the railing and comes back in.

Chrissy reads that Front Page is horse #3 and the colours are pink and blue.  Together, Robin and Larry queenily say, "Nice!"  Chrissy thinks that the Queen Mother is riding the horse.  Robin says, "She owns it!  I hope."

Larry didn't bet on the horse because Robin is backing it and he thinks Robin is dead unlucky with horses.

Jo comes home with the groceries.  No one asks about how much she had to flirt (or more) to get them.  She says it's cold, so she shuts the door to the balcony, breaking the cord for the rabbit ears.  Robin is horrified.

New life:  Mildred can't believe that George has been claiming a son for 19 years.  George says he sent the son off to university, since he didn't want the IRS to think "our son" was only half educated.  He named the boy after Leslie Compton ( http://en.wikipedia.org/wiki/Leslie_Compton ).

Mildred says she'll have to sell the house and start a new life, maybe in Brighton or South End.  She could run a boarding house.  She ends up excited about the prospect.

George says he didn't mean any harm.  Then he wants her to go in and say it was her idea.

Someone knocks and she answers.  Robin and Chrissy come in.  Mildred goes to get tea.  Robin and Chrissy want to watch the telly since theirs is on the blink.  Robin sits on Mildred's new hat but hardly notices.  When George sees they're watching the race, Chrissy claims that they didn't bet, which is true in her case.

Larry and Jo come in without knocking.  She thinks Robin has taken a silly risk.

After Front Page loses, Mr. Roper asks, "Which horse was it you weren't betting on?"  Robin says it was all of them, but mainly Front Page.

Chrissy says, "Excuse us, we've got to kill somebody."  As the four young people leave, Larry says it's not his fault.  He just said it was a strong horse.  As they go into the entryway and upstairs, Chrissy says the horse would have to be strong, since it's "just taken the three of us for a ride."

Mildred is surprised that they didn't wait for the tea.  She thinks it's George's fault.  Then she thinks her crushed hat is his fault.

And we go to a break.

Son:  When we return, Mildred is wearing a pink scarf and a checked blouse.  She tells George to get it over with and ring the IRS.  He doesn't know what to say, but he phones the name on the letter, G.W. Matthews.  She refers to her Bournemouth boarding house. 

George tells Matthews he can't come into the IRS office because of his bad back.  He has an old war wound caused by a German sniper's bullet.  So Matthews (offscreen) says he'll come round.  Mildred points out that there were no German snipers in Putney.

George:  Tell him I'm dead.
Mildred:  Oho, lovely!  And where do I say you were phoning from?

She puts on her hat and black cape, looking even more Western.  She says she's going down to the shops for matching gunbelt and spurs. 

Robin knocks and when she answers, he greets her with a distracted "Howdy."  He asks if Mr. Roper is free.  She says yes, but not for very much longer, implying he'll soon be arrested.  She leaves.

Robin says he's come about the rent, which is due today.  George says, "I knew that, Son," and then after awhile the word "son" gives him an idea.
George:  Hey, you could pass for 19 in a bad light.
Robin:  Thanks very much.
(Well, this at least confirms that Robin is older than Chrissy, since if he were 20 it wouldn't be as hard to pass for 19.)

George has him sit down on the settee.  Then George sits on the arm of the settee, next to him.  He laughs mischievously.  Then he pats Robin's knee.  He says, "I've got a little proposition to put to you, Son."  Robin raises his eyebrows and then looks dubiously up at Mr. Roper.

Butter:  Larry drops by the trio's place.  Chrissy answers the door and is not happy to see him.  He says he feels a bit responsible.  He doesn't want them to think any the less of him.  Jo says they couldn't.  He's not sure how to take that.

He came down to scrounge butter.  Jo says no way.  But he wants to make it up to them.  He gives Chrissy a dead cert for the three o'clock at Newmarket.  She hits him with a pillow.

Bob's your uncle:  Back downstairs, George finishes explaining his plan as he pours a drink and gives it to Robin.  He concludes, "And Bob's your uncle," which means "And there you have it."
Robin:  Bob's my uncle?
George:  And I'm your father.

Robin can't bring himself to call George "Dad."  Or to fill George's request to look more like him.

George:  You scratch my back, Son, and I'll scratch yours.
Robin:  While he's here?

"God knows if I had a son, I wouldn't want one like you, no offence."  Robin says none taken.

Robin says it's rather dishonest.  And then George mentions the rent, and Robin says it's blackmail.  He gives back the drink and says he won't cooperate.  He says he's a terrible liar and he'll just pay the rent tomorrow or the day after.  "See what a terrible liar I am?"  He exits.

Accessory:  The four young friends are gathered in the kitchen.  Larry says Robin is balmy, because he could've saved a month's rent.  Jo says she would've done it.  Chrissy says, "Oh yeah, meet my son.  He's had the operation."

When Robin says, "Who would've thought Roper would fiddle with his income tax?", everyone, including Robin, says they would've. 

Robin says that if he'd helped Mr. Roper, he would've been an accessory.  Jo says, "What?  Like a handbag?"

The girls honestly tell Robin that they don't think honesty is the best policy.  Then they leave for the pub.

Larry again says that Robin is balmy and could've saved a month's rent.

Robin says perhaps he should've done it.  Larry says, "No, stick to your principles."  He exits singing, "He was poor, but he was honest."

Gordon:  At the White Swan, Chrissy says Roper doesn't often ask for favours.  "I mean, all he wanted was a son.  Half an hour and it would've been over.  And he was willing to pay for it."  Percival the barman is shocked and exclaims, "The dirty old devil!"  Then he says it's none of his business.

Jo offers him a post-dated check for their drinks.  He says, "For 30p?  I'll put it on your slate," then moves out of hearing for a bit.

Chrissy doesn't think it'd have worked because she doesn't think Robin looks like a Leslie.  Jo thinks he looks more like a Gordon.

Chrissy says Leslie could've been a girl's name.  She says, "Actually, if he wanted a daughter, you could've done it standing on your head."  She laughs.  Percival catches this bit and looks disgusted.

Muddle:  George lets Mr. Matthews in.  The taxman is played by Anthony Sharp, who was in A Clockwork Orange four years earlier.  He often played lords.  He was almost 60 at the time of this episode and died nine years later.

After some confusion over two T's/teas, George gets him some sherry.  George nervously says it's nice weather, if you like that sort of thing.  Mr. Matthews says you don't see a lot of it inside.  George thinks prison, but Mr. Matthews means his office.

Mr. Matthews says that the tax form is a bit of a muddle.  George put his name as "6 Myddleton Terrace," and his address as "George Roper."  George also put his wife down as "untaxed income from abroad."  George chuckles and I wonder if Brits ever used "broad" as a term for a woman.

Mr. Matthews says that George didn't put which university his son is attending.  George says Leslie can tell it himself, and he lets in Larry, who's wearing glasses and holding a book.

We briefly return to Robin, who's ironing.  He picks up the rentbook and seems torn.

Mr. Matthews asks George and Larry which university.  They speak at the same time, saying Oxford and Cambridge, then reverse that.  No, Larry isn't wearing his Oxford shirt, though he apparently had time to dig up a pair of glasses.

Mr. Matthews asks "Leslie" his age.  Larry says, "How old am I, Dad?"  George says 19ish, but he worries a lot.  Mr. Matthews says it's a worrying time, university.  He asks what "Leslie" is reading, meaning studying.  Literal Larry says of the book he's holding, "Er, The Day of the Jackal."  (Acclaimed 1971 thriller novel later made into a film.)

Mildred comes home.  George introduces everyone, including her to their son.  Larry says, "Hello, Mum.  Did you buy me any Fruit Gums?" ( http://en.wikipedia.org/wiki/Rowntree's_Fruit_Gums )

Mildred wants a word with George, but he's trying to deal with Mr. Matthews.  The taxman asks the exact date of Leslie's birth.  George says Februaryish.  Mildred says, "I wouldn't know.  I wasn't there."

Someone knocks and she lets in Robin, who says, "Hello, Mummy.  Hello, Daddy."
Robin:  Larry?
Larry:  Leslie.
Robin:  Oh, Christ.

Mr. Matthews is surprised by this other "son."  George says this one is from the wrong side of the blanket, i.e. a bastard.  Mr. Matthews says George still could've claimed him as well.  George is tempted, Mildred disapproving.

Mr. Matthews asks which one is Leslie.  Larry and Robin point at themselves and then at each other.

The girls let themselves in.  Chrissy says hello to Robin and Larry.  Jo, with a kiss, tells George, "Hello, Daddy."  She shakes Mr. Matthews's hand and says, "How do you do?  My name's Leslie."

George still doesn't give up, and the episode ends with him asking, "How would it be if I adopted all three of them?"

Commentary:  Although this episode isn't bad-- I laughed out loud a few times-- I don't really have much to add.  It seems a bit implausible that in all these years Mildred never asked to look at the tax forms, but then if she has to get George's permission to buy a hat, I don't know.  (What happened to him getting an allowance?) 

It's also a bit weird having George ask Robin and Larry to play Leslie, since I'm pretty sure he still doesn't know either of their names.  As on the "gardening" episode, George uses blackmail, but Robin understandably has more of a problem lying to the government than he does taking care of Roper's jungle.

I will add that this episode manages to not only have the usual joke or two about gays (including Robin thinking Mr. Roper is chatting him up), but it works in a sex-change joke and a misunderstanding about prostitution.

"The Tender Trap"

This absolutely charming episode could never have been adapted for 3'sC, for reasons that will soon become apparent.  It takes its title from the 1955 movie starring Frank Sinatra and Debbie Reynolds, which in turn was based on a stage play.  This episode aired on 3 April 1975, a significant date since it allows for a great deal of chronology.

Anything of value:  We open with Robin in the kitchen, not only trying to mend a radio but reeling off a bunch of jargon about it.
Jo:  Are you sure you know what you're doing?
Robin:  I don't even know what I'm saying!

When he asks for some piece whose name he and I have never heard of, she immediately hands it to him.  She says it was just a lucky guess.

Chrissy comes in, skeptical about Robin's radio-mending skills.  Jo tells her that right in the middle of Pete Murray, the radio just spluttered and died.  Chrissy says he wasn't getting any younger.  (Ironically, d.j. Pete Murray is still alive at 85.)

When Robin doesn't recognise one item on the table, Chrissy says it's one of her heated rollers.  (Perhaps left in the kitchen after Jo defrosted?)

Chrissy:  Honestly, if I had anything of value, I wouldn't let him anywhere near it.
Robin:  Yes, you've made that perfectly clear, Chrissy, many, many times.

She tells him to clear up before her mother arrives.  Robin says it's a good thing she didn't share a flat with old Isaac Newton.  Gravity wouldn't have been invented and we'd all be sucked out into space.

Chrissy says her mother "comes here to see the way I live and I'm determined she's not going to."  Jo says Mrs. Plummer comes to see Chrissy and won't care how the flat looks.  Robin says she lives on a farm and is used to pig sties.

Robin finishes with the radio and turns it on.  He and Chrissy put their heads close together to listen.  They're confused when they hear Chamberlain talking about Hitler.

Der Fuehrer's Face:  Downstairs at the Ropers', the radio is tuned to the same programme about WWII.  Mildred says it takes you back.  George recalls shouting defiance at the woman across the street, who was German, or Swiss, or French.  Well, she was foreign anyway.  Chuckling, he says, "We got her cat."

He sings a bit of "Der Fuehrer's Face," with a raspberry of course.  He goes through some sheet music, because there's going to be a British Legion concert next Saturday. 

She won't go since he's singing.  She'll have a headache and claims that he always has one when she wants to do something.

He thinks she's jealous. 
George:  You don't like the spotlight falling on me.
Midlred:  Now that I'd come to see.

He has 20 tickets to get rid of.

We go out to the entryway, where Robin invites Chrissy down to the pub.  She says she can't greet her mother smelling of lager and lime.  He suggests a breath freshener, but she says her mother would smell that and think she's been on the gin.  He suggests vodka, since it doesn't smell of anything and you just keep falling over but nobody knows why.  She hands him two glasses and says, "Push off."  (Can you carry alcohol out of a pub if you provide your own glasses?)

George comes out of his flat and invites her to the concert.  Mildred follows after a bit and suggests that Chrissy will be washing her hair, which Chrissy uses as an excuse.  George asks about the young fellow, whatshisname.  (Good grief, Robin's been living there over a year and a half, and George still doesn't know his name?)  Chrissy says Mr. Roper will have to ask Robin himself.

Worries:  We next see Chrissy upstairs, finding rubbish in the settee.  She pulls out a thrupenny bit (3 pennies, or pence).  Since that coin was discontinued in 1971, Jo says it must be worth a pound.  Chrissy says no, a pound is worth about a thrupence.

Jo is going down to the shops, so Chrissy asks her to pop into the hairdresser's, since Chrissy hasn't got the time.  Jo is a bit confused but as usual takes everyting in stride.  She asks what style Chrissy wants.  Chrissy wants a bottle of setting lotion.

They talk about Chrissy's mother, who worries about her.  When Jo says Chrissy worries about her mother, Chrissy says, "I only worry about her worrying about me."  Her mother asks when she's going to get married, if she's eating enough, when she's going to get married, if she's wearing her winter woolies (thermal underwear), and when she's going to get married.

The doorbell rings and Jo answers.  She and Mrs. Plummer exchange a cheek kiss.  When Mrs. Plummer asks how she is, Jo says, "Well, I'm eating very well and I'm wearing my winter woolies."  She leaves with a slightly mischievous smile. 
Mrs. Plummer:  Now there's a sensible girl.
Chrissy:  (as her mum kisses her cheek) Yeah, but I can't help worrying when she's gonna get married.

Daphne Oxenford is reprising her role as Mrs. Plummer.  She did a TV-movie way back in 1949 and apparently is still alive at the age of 91 or 92, having played the Queen Mother in a 2002 TV-movie called Prince William.  In between, she did a lot of Coronation Street, among other credits.

Mrs. Plummer has packages from shopping.  She's been combing London, looking for Mr. Plummer's socks, those hairy things he wears.  She thought they "became illegal when we joined the Common Market."

Her husband sent Chrissy a package of pig's trotters, since you don't see a lot in London.  Chrissy says, "Yeah, that's mainly why I came to live here."

Mrs. Plummer says it's taken years off her husband becoming a grandfather.  Susan's named the baby after him.  Chrissy says, "She's called it Dad?"  No, she's named it Dudley after him.

Mrs. Plummer bought "the most gorgeous christening gown" for next Saturday.  It's a family heirloom, since they have to start somewhere.

Mrs. Plummer wrote about the christening in a letter, which she now hands to Chrissy.  There's no point in wasting a stamp.  Chrissy says, "I'll tell you what, I'll write a letter confirming it and bring it home with me."

The same vicar who married Susan and her husband is doing the christening.  "Talking of marriage."  Chrissy tries to distract her mother by going in the kitchen to make tea, but her mother follows.
Mrs. Plummer:  The vicar keeps saying, "When's your Chrissy going to tie the knot?"
Chrissy:  Listen, I'm not getting knotted just to please the vicar.  There's no panic.  I know I'm doddering up to 21, but some men prefer older women.

From the online Urban Dictionary:

British slang, not that common any more.
An insult, Knotted makes reference to either your guts or your willy. Always acompanied by 'Get...'.

"Get Knotted, you bastard".
"He can go get Knotted".

I'm surprised to find that after all this time Chrissy is still only 20.  (Unless of course she's lying to her mother, but that seems extremely unlikely.)  This means she was born between April 1954 and March of 1955, probably at the earlier end.  She was only 18 or 19 at the time of "In Praise of Older Men."  She was also 18 or 19 when we met her.  And at the time her three-year lease expired, she was 19 or 20, meaning she moved to London at 16 or 17, presumably right out of school, pig's trotters or not.

Her mother "changes the subject" to "Where's that nice young man you share with, Robin?"  Chrissy sees through her, but her mother keeps going.  She asks if Robin is engaged, so Chrissy says, "No, still vacant," as if he's a flat.

As Robin comes home, Chrissy asks her mother not to drop hints about marriage.  Mrs. Plummer innocently says, "Me?"

Robin comes in and gives Mrs. Plummer a kiss on the cheek.  She tells him about buying her husband socks and says, "I don't suppose you've got anyone to darn your socks."  Chrissy tells her to "never discuss politics, religion, or socks."

Robin:  How are things in Cornwall?
Mrs. Plummer:  They're probably very nice, but we live in Sussex.

He says the nearest he's been is Exeter.  Chrissy says, "You're nearer than that now."

Mrs. Plummer says that Chrissy will be down next weekend for the christening.  Chrissy says it's her sister's baby.  Robin says, "How nice."

Mrs. Plummer:  Do you like babies?

Chrissy:  Mother!

Robin:  (confused) She didn't mention socks.

Mrs. Plummer invites him down as well.  "I'm sure your father would love to meet him."  Chrissy says Robin is terribly busy at weekends.  For one thing, he washes his hair.  And that weekend, "Mr. Roper's got plans for you, very exciting."  Robin is further confused.

Wuthering Heights:  At the Ropers', she's reading Wuthering Heights and wearing a blue top and blue slacks, the latter with what appear to be bananas!  George is trying out a song, but it turns out she's wearing earplugs.

Robin knocks and lets himself in.  He asks about the very exciting plans.  George tells him about the British Legion concert next Saturday.  Robin says he's busy but has trouble coming up with an excuse.  Mildred tries to signal him, but he thinks she's just scratching her head.  He says he's going to spend the weekend with Chrissy's parents.  She's says that's even better than washing your hair.

Fetlocks:  Back in the kitchen upstairs, Mrs. Plummer says it'll be a quiet weekend in the country.  Chrissy says it won't be quiet. 

Chrissy:  You'd keep nattering on about what a lovely wife I'd make someone.  I don't want to be put up at a cattle auction.  "Here's my daughter, 130 pounds of prime breeding stock."

Mrs. Plummer:  Oh, you've put on weight.

Chrissy says Robin doesn't like the countryside.  When he returns, she wants him to confirm this, but he exclaims, "I love it!"

Mrs. Plummer says Robin will meet Chrissy's sister, who's married although younger.  (So married and a mum by 19?)  Chrissy is annoyed about the hint-dropping, so her mother goes to freshen up.

Chrissy stands next to Robin and waves her pointer finger at him warningly. 

Chrissy:  You're gonna regret this.

Robin:  Don't point that at me, it might go off.

She says her family will spend the whole weekend examining him.  In an amused American voice, he says, "Oh, really?"

Chrissy:  They're all in farming and they know what to look for.

Robin:  (waving his pointer at her as Jo comes in) I'll match my fetlocks with the best of 'em.
(A fetlock is the joint on a horse's leg just behind the hoof, or the hair that grows at this joint, hence the "locks.")

Mr. Roper just tried to give Jo a ticket to the concert, but she said no.  Robin asks how she got out of it.  Forthright Jo says, "I told him it sounded boring and I didn't want to go."  She exits.

Chrissy tells Robin that her mother will spend the whole weekend match-making them.  He says, "Awww!" as if he thinks this is cute.  Then he teases that he can't stay a bachelor all his life.  "She might just talk me into it."  He tries to snuggle up against Chrissy.  She's annoyed, but then they nuzzle faces as we go to a break.

Pater:  The next scene is set at a British Railways station.  She says her father will be here to meet them.  Robin asks if it's all right if he calls him Dad.  Then he suggests Pater and Pops.

They go over to the car.  Chrissy introduces her father, but we get a close-up of a pig.  Robin is taken aback, while Chrissy's amused.

Trapped:  The following scene is set in the large lounge or den of Chrissy's childhood home.  Her dad may be a farmer, but don't picture Pa Kettle.  The room looks gorgeous and old-fashioned, not just the furniture but the fireplace and vases of flowers.  We can catch a glimpse of the green countryside through the windows. 

Mrs. Plummer quickly exits as Robin, Chrissy, and Mr. Plummer come in the front door, Chrissy and her dad embracing.

Mr. Plummer asks if Robin minded riding with the pig in his lap.  Robin says he's glad it wasn't the cow.

Chrissy says it's nice to be home.  Her father doesn't understand why she left.  What's London got to offer?  She suggests, "Hairy socks?"  He's played by Glynn Edwards, the ex-husband of Yootha Joyce!  He's younger than both Yootha and Daphne Oxenford, being only 44 at the time of this episode.  He often played policemen.

Chrissy's father has her sit down while he goes to put the car away.  Robin stands by the mantelpiece and says he can see he'll be marrying into money.  He sings a dopey farmer song.  He's amused by this situation.  She's sorry she ever told him.

Her mother comes in and asks about their train ride.  Robin says it was first-class (meaning excellent) although they rode second-class.

Mrs. Plummer mentions Susan, and Robin says, "Ah, yes, she's younger than Chrissy but married."  Robin says he loves babies and asks Chrissy, "Wouldn't you like a baby?"  She says, "Not just at the moment."  He thinks triplets would be nice.  She says, "Yeah, one of each."

Mrs. Plummer says Esmeralda had ten last week.  Chrissy explains that this is the pig.

Chrissy suggests they talk about the Common Market, so her mother says that she was reading that in France and Italy people are getting married younger than ever before.

As Mr. Plummer comes in, Chrissy has her mum go in the kitchen with her to make tea.  He doesn't want any, preferring something stronger. 

Rather than Pater or Pops, Robin calls him Mr. Plummer, and he says to call him Dudley.  He offers Robin home-made elderberry wine or a drop of malt whiskey.  Robin says he's torn.  Dudley says, "No, you're not, but you're tactful."

Dudley says, "You're planning to marry our Chrissy, are you?"  Robin says he's not, although he respects her of course.  Dudley says he didn't think Robin was.

They drink as they talk, and Robin turns out to be a real lightweight.  Dudley says Robin doesn't know what he let himself in for.  Young Ted, Susan's husband, was like Robin.  He came down here for a quiet weekend, and he was engaged when he left.  Robin says, "That's not likely to happen to me."  Dudley says those were Ted's exact words.  If Mrs. Plummer thinks Robin is right for our Chrissy, he might as well book the organist.

Robin says he's too young for marriage.  (It's still not clear how old he is.  Probably not more than a few years older than Chrissy.)  Dudley understands and rhetorically asks, "Why stick to one kind of licorice when you can have allsorts?"  They laugh together like mates.

Dudley says young people these days sleep together at the drop of a hat.  Robin says that's true, well, sometimes.  He says he hasn't with Chrissy.  He confides, "Mind you, Dudley, it's not for want of trying."  Dudley is no longer matey but a protective father, "You mean you tried to sleep with my daughter?"  Robin babbles an explanation.

Susan and Ted come in, he with a baby carrier.  Ted is a young blond in a suit and tie, I think because of the christening.  John Colclough had previously appeared on MatH as Nigel in "I Won't Dance."  Susan has brown hair in a similar style to Chrissy's and we'll later see that they're close in height.  They look more like each other than either looks like the parents.  Sheila Dunion didn't do much television, but she was in Frankenstein and the Monster from Hell with all those people from the MatH movie.

Dudley introduces Robin, then Susan says she'll take Dudley in the kitchen, since he seems to have wet himself again.  Robin thinks she means Mr. Plummer and then realises, "Oh, Dudley the baby!"

After Susan leaves with little Dudley, Ted asks if Robin is a friend of Chrissy's.  Robin says yes, he's down for the weekend, just like Ted.  He laughs.  He says he's just been hearing about it.  He drinks some more.  He says, "Mind you, I have no intention of getting trapped into marriage.  I'll be more careful."  Ted indignantly says, "Look, Mate, that baby's only three months old.  We've been married a year!" 

(This puts Ted and Susan's wedding during the gap between Series Two and Three.  Did Chrissy go to Sussex while Larry was staying in the flat?  It seems more likely the wedding was before.  And the baby was born around the new year.)

Robin babbles and says that Dudley told him Ted was trapped.  Dudley says he said nothing of the sort.  Ted says this is practically slander. 

Chrissy comes in with a tea tray and asks Robin, "Have you been making friends with everyone?"  He says, "Well, sort of."

 That's what I say:  Back at the Ropers', she's wearing a green scarf and green slacks, which goes well with her cutting flowers.  He's still going through sheet music.  One song is a bit high for his voice, so she says, "Well, if I can be of any help, George," and flourishes her shears.

She suggests he sing something more modern, something with more meaning for the people of today, like "(I Can't Get No) Satisfaction."

She's still not going, so he says he could order her to go.  She's amused and dares him to order her.  She says then she might do it, or she might flatten him.

He says he's gotten rid of one ticket.

Then we see him talking to Jo in the entryway, and she asks if he put the ticket under her door.  He says there's no charge.  She says she's going out with her boyfriend then.  So he gives her another ticket.

Bloomed:  Chrissy, her family, and Robin return from the christening.  Chrissy says, "Honestly, Mum, you cry at a harvest festival."  Amused, Susan says that another five mintues and the fonts would've overflowed.

"It's Norman you know," Mrs. Plummer says of the church, but Robin thinks she means the vicar.

Chrissy looks at the baby as her sister holds him, but then Susan passes her Dudley because he's about to poo-poo.  Susan is going to get a new nappie.

There's a close-up of Dudley.  Robin says he has his mummy's eyes and chin.  Chrissy says he also has his mum's nose.
Chrissy:  I don't think he's got anything of yours, Ted.
Ted:  Eh?
Chrissy:  Well, not that you can see anyway.

Mrs. Plummer looks at Chrissy and Robin with the baby and says to her husband, "Don't they make a lovely picture?"  He says to not rush, because she has the whole weekend.

Susan wants Ted to learn to change the baby.  He's reluctant, so she says it's no different than mucking out a cowshed.

After they exit, Mrs. Plummer says that Susan's bloomed since she got married.  Chrissy says she would rather wait a few years before having children.  Her mother asks Robin how he feels about that.  Chrissy says it's got nothing to do with him. 

To tease Chrissy, Robin says the more the merrier, the quicker the better.  He'd like eleven, with a tall one to be the goalkeeper, as in football.  Mrs. Plummer says, "You'd need a big house," and says there's one for sale at the edge of the village.  Chrissy leads her off for a word.  Mr. Plummer says they're going to finalise the date.  He pours Robin some champagne.

In the kitchen, Chrissy says Robin doesn't want to get married.  Her mother says, "It doesn't sound like that to me."  Chrissy says he's taking the mickey.  Her mother says, "You're no judge of character."  And she says she's invited the vicar for tea tomorrow.

Back in the den, Robin says Chrissy has a great sense of humour.  He sees her return, so he starts talking about roses round the cottage door, a pipe and slippers, and a casserole. 

She moves towards him with an empty vase.  He picks up another champagne glass and says, "You wouldn't hit a man with glasses, would you?"

The phone rings and Chrissy answers.  It's Jo calling about the gold earrings she loaned Chrissy.  She can't find them.  Chrissy pretends that the flat has flooded, with a burst water tank, and the whole ceiling down.  Jo says, "No, gold earrings."  Chrissy says they'll come straight back, catch the next train.

Tea caddy:  We next see Jo fixing her make-up in the lounge mirror.  Chrissy and Robin return.  Robin pretends to be impressed that Jo dried up the whole floor and replastered the ceiling, all in two hours.  Chrissy says, "I just couldn't stand another day of you and my mother."  Jo says it's all right, she found the earrings in the tea caddy.

Mr. Roper lets himself in without knocking.  He saw them come in.  He says they shouldn't have gone to all that trouble, coming back early for the concert.  He saved them two tickets.  Jo is amused.

Like a horse and carriage:  The last scene is set at the British Legion.  A woman onstage bows and the onscreen audience claps.  The curtains shut.

Chrissy, Robin, Mildred, Jo, and Jo's date are in the front row.  The curtains open again.  George comes onstage in a straw hat and bow tie.  Mildred looks miserable, Robin as if he's having a great time.  There's a pianist to accompany the acts, and George launches into "Love and Marriage."  He's terrible of course.

Robin takes Chrissy's hand.  She tells him, "Get off!" and pulls away.  Mildred is humiliated and puts her white-gloved hand to her face.

Commentary:  As the episode begins, there's no indication that Robin is going to spend the weekend with Chrissy's family.  So the exchange about what she has of value just comes across initially as their usual banter.  And Chrissy's mother's visit just seems like a follow-up to the second episode, where Mrs. Plummer thought that people "were doing it all over."

We get a lot of insight into how Chrissy's family has shaped her personality.  Her sense of humour has her father's dryness-- she could say the "you're tactful" line-- but there's also the way she gently parodies her mother's dottiness, like with bringing her RSVP for the christening home with her and talking about Jo getting married.  Clearly, spending a couple decades with her mother has prepared her for Jo's Gracie-Allenness.  Also, if her mother is going to see the Common Market only in terms of hairy socks and early marriages, then it's no wonder that Chrissy doesn't want her to discuss politics, religion, or socks.   That pun and lines like the "triplets" one showcase Chrissy's wit as never before, and part of this episode's charm is that the writing has never been better, not just the wit but the character development of Chrissy and her family.

The type of feminist Chrissy is seems to have much to do with her mother nagging her about getting married.  Susan seems to have gotten married right out of school.  (She has to be at least a year younger than Chrissy and could be as young as 17, although she doesn't come across as that young.)  But Chrissy followed a different path, to London and independence.  Yes, she's "only a secretary," but she supports herself.  If her feminism sounds argumentative at times, it's no wonder.  She's got to contend with a mother who wants to treat her like prime breeding stock.

We don't get much of Chrissy's relationship with her sister, but it's interesting that she's the older one, because it confirms what we learn of her protectiveness towards some other women, like Angela in "Come Into My Parlour."  She and Susan seem to share a similar sense of humour, view of their parents, and practicality, as when Susan compares changing a baby to mucking out the cowshed.  Growing up on a farm has probably contributed to their realism.  It is ironic that Chrissy on "Two Foot Two" claimed she knew nothing about babies, but then she wasn't yet an aunt.

Chrissy's father comes across as more likable than her mother, more easy-going.  The scene with him and Robin drinking together doesn't have the sleazy undertone that the scene between Jerry and Larry did on "All in the Game," but then Dudley isn't an unscrupulous building contractor.  He's a protective father like Jerry, but seems less hypocritical about it.  He seems like he'd hit it off with Robin's father, although he's less blunt.

We don't see much of Ted but there's the impression that Susan is brighter and less innocent than he is, if not as sophisticated as Chrissy.

Robin's attitude towards the matchmaking is interesting.  On the one hand, he doesn't take it very seriously.  He thinks he's cleverer than Ted and so can't be trapped.  Therefore, he's mostly amused by it, even when it means he's going to be sized up as a potential stud.  Also, it provides an opportunity for him to tease Chrissy.  And yet, there is an undercurrent that he likes being matchmade with her, likes that her family would like to welcome him in.  (Well, maybe not Ted, but they presumably make up.)  The line about not being a bachelor all his life takes on resonance if you know what happens to his character down the road.  (At the risk of being over-spoilery, within three years Robin will be married to a woman he hasn't yet met.)  As for Robin loving babies, he did say back on "Two Foot Two" that he quite likes kids, so I don't think he's just playing along with Mrs. Plummer on that.

"I have to wash my hair," judging by TV sitcoms, seems to have died out as an excuse at some point in the late 1970s.  I had a theory that everyone with access to a bathroom washed their hair a few times a week, until the 1980s, when it became daily, but searching the Internet has not confirmed this.  If anything, it turns out that it depends on your culture and type of hair.  But from what I recall, white middle-class girls, at least on TV, had hair that took a long time to wash and brush, particularly in the days before blowdryers, especially if the hair was long.  The Brady girls for instance.  Even then, it was meant to be a lame but polite excuse to turn down an invitation.  It was a less common excuse for men, but not implausible for Robin, who's regarded as a long-hair.

If there's any doubt that Jo is a supporting character rather than a lead, simply compare her nephew's christening in "And Then There Were Two."  On that episode, we only got a glimpse of her family situation, and the plot mostly concentrated on the RCST.  Here, we spend time with Chrissy's family before and after the christening, and little Dudley gets some screen time.  Meanwhile, we don't even find out the name of Jo's date.

This episode's title may refer not only to Mrs. Plummer, who tenderly tries to trap young men into marrying her daughters, but also to Mr. Roper's more successful attempts to trap his wife and tenants into attending his concert.  Mrs. Roper's book choice this episode is probably not accidental.  She dares George to be more like Heathcliff, but she doesn't realise that he can manipulate her more by not ordering her to go.  Making everyone think he's pathetic turns out to be his most powerful weapon. And, yes, she threatens him with castration, when she already doesn't think he's manly.

His song choice of course is perfect for this episode, and while the subplot itself is nothing remarkable, it does give us a nice closing scene.

The Name Game

The conversion of MatH24 is rather straightforward, although there are some interesting differences.  "Never Give Your Real Name" aired 27 March 1975, while "Will the Real Jack Tripper...." (with that punctuation) played on Feb. 14, 1978, the week before "Days of Beers and Weeds."  Like the "pot" episode, 3'sC27 was penned by producers Don Nicholl, Michael Ross, and Bernie West.  It hit #1, the very first time for the show!  (The next episode to reach that height was the second-season closer, with guest star Loni Anderson.)  So even if it weren't based on a MatH episode, it would be worth discussing.

Heated rollers:  As the episodes open, Jo/Janet is cleaning the lounge/living room window.  It's now so clear, she jokes that she can see houses across the way. 

On the American show, we learn that the window is stuck.  Chrissy suggests Janet call Mr. Roper.  Janet has, every name in the book.  Then she does an imitation of Mr. Roper.

Brit-Chrissy's hair is wrapped in a towel and she wants her heated rollers.  Jo is using them to defrost the fridge.  It's Amer-Chrissy using hot rollers in the fridge, although Janet isn't doing her hair at the moment, since she's cleaning the window.  Janet steps in the bucket, trying to stop Chrissy, and spills the water.

Jo spills the water onto the carpet just out of sheer clumsiness.  The phone rings on both shows, and Jo/Janet says that the carpet is ringing, which confuses the Chrissys.

A blonde girl in a phone box wants to speak to Robin Tripp.  A girl with short brown hair is calling from a phone booth and wants to speak to Jack Tripper.  The Chrissys say Robin/Jack isn't home.  The girls phoning say they can't leave messages because it's personal.  The Chrissys say they won't listen, then they give the girls the number for the flat/apartment upstairs, since that's where Robin/Jack is.

Airline pilot:  So we head up to Larry's.  In England, the attic flat has a wood-grained look that I don't remember from the "mouse" episode, although Larry had soft lighting going then, for his date.  He's also decorated with a poster of two blondes, one in a white peasant blouse and a big flowered hat, the other wearing just white knickers.  In America, it's only the third "Larry episode," with the second being one I'll discuss when we get up to its British equivalent.  In any case, I think this is the first time we see Larry's studio apartment.

Brit-Larry is shaving in a little mirror, while Robin reads a magazine called New, with a topless woman on the cover.  Jack's magazine is the more innocuous Sportview, with a basketball game on the cover.  Amer-Larry is treating Jack to a Lakers game.

When Jack thanks him, Larry says, "What are friends for?"  He was going to take Betty, but she's a lost cause.  He finds her picture among the ones hanging on his mirror and hands it to Jack.  Betty has a fantastic figure:  42, 21, 36.  She also has great shoulders.  Jack says, "She'd need 'em to hold all that up."  Larry says the only thing that spoils her is her mouth.  It keeps saying no.  The British mates have a similar conversation about a girl, although oddly enough her waist is 22 rather than 21, and Brit-Larry mentions her long legs.

Amer-Larry said goodbye and gave Betty his mother's wedding ring to remember him by.  It was a wonderful and valuable heirloom, and he keeps a supply of them on hand.  He likes to leave 'em happy.  This exchange does not happen on MatH.

Brit-Larry's ex called him Justin, while Betty called Amer-Larry Engelbert (as in Humperdinck).  The Larrys advise, "Never give your real name."  When Jack asks why, Larry says Jack has so much to learn.  Jack says, "Teach me," in a babyish way.  Larry says that after a break-up, the girls are running around asking if anyone's seen Paul Redford or Robert Newman.

Brit-Larry has used Justin Dupont, Cliff Westwood, and Oleo Portuguese, this last from a tin of sardines.  He was Orinoco Womble for a fortnight.  (As near as I can tell, there are no famous Justin Duponts, Cliff Westwoods, or Justin Westwoods and Cliff Duponts for that matter.  Orinoco was the Womble who played the keyboards, and he was named after a South American river.)

The phone rings.  The Larrys answer, the American saying, "Yello?"  In England, it's Sandra Bennett, while in America it's Sandra Boyd.  Brit-Larry remembers the girl with "the blonde hair and the mole on her--", while Amer-Larry recalls "the cute little brunette with the mole on her--", the Sandras saying they're right before they can say where.

The blonde says he's the only Robin Tripp in the book.  Brit-Larry says that's a nice bit of detective work.  In a split screen, the brunette says Jack Tripper is in the phone book, which makes Amer-Larry think Jack is even more foolish about women.

Brit-Sandra says that Robin hasn't called round these last few weeks.  Amer-Sandra uses "called" in the American sense of phoning when she says Jack hasn't called in weeks.  The Larrys say they're airline pilots.  Brit-Sandra says she thought he was a fashionable dentist.  Amer-Sandra leaves out the word "fashionable."  Brit-Larry says that's only in his spare time, while Amer-Larry says it's more of a hobby.

Brit-Sandra would like to come round, but Larry claims he's forgotten the address.  She says it's in the book.  He hangs up and says he got cut off.  When Amer-Sandra wants to come by, Larry just hangs up and says he got cut off.

The Larrys want to leave, although the football match doesn't start for another hour and a half, the basketball game not for hours.  Amer-Larry says, "Neither does the car I'm driving," probably one he borrowed from his used car lot.  Brit-Larry says they'll have to buy toilet rolls, I guess because the washrooms won't have any.

Brit-Sandra is played by Suzanne Moore, who has only three other credits, none of them notable.  Susan Blu [sic] on the other hand, has a ton of mostly animated credits, from The Jetsons to Transformers Prime.  Her role as Sandra Boyd is unusual for her live-action parts since she usually played a secretary.

Vinegar:  Back in the flat, Jo wonders if she should apply vinegar or lemon juice to the carpet.  Chrissy says, "No, you're thinking of Dover sole."

3'sC shuffles scenes so that we next visit the Ropers, but I'll just go with the parallel scene rather than the consecutive one.  Amer-Chrissy is the one blow-drying the carpet, I guess because it's more her fault than Janet's.  Jo/Amer-Chrissy is worried about a clean patch.

3'sC next segues into the post-Ropers scene, but MatH continues with this one.  Robin and Larry arrive in the flat, and Robin asks what Jo's doing.  Chrissy says, "Cleaning the window."  Robin says Jo has a terrible sense of direction. 

He needs his football rattle and his red & white scarf.  But Jo has put the latter in the bucket, I guess to help mop up the carpet.  Chrissy suggests he wave a salami sausage, since that's red & white.  He says there's emotional tension during a football match.  He can't wave a salami sausage and say "Up the Saints."  Larry says Southampton will only score if Fulham don't turn up.  Robin rhetorically asks, "You don't like Southampton, do you?"  This is all continuing football fanships from back in the first episode.

The men leave.  Jo asks where they're going.  Chrissy sarcastically says, "To a cricket match."  Jo doesn't question this.

Solitaire:  Downstairs at the Ropers', he's trying to make the budgie/parakeet say his name.  Mrs. Roper is playing solitaire.  When his wife says his name in an irritated way, he says, "Oh/Ah, no, that was you, Mildred/Helen."  Helen says he'll never get the bird to talk.  He thinks the bird has a lazy beak.  She says, "He came to the right house."

Mildred thinks George should fix the kitchen shelves that fell down.  Helen wonders when Stanley is going to fix the window for the kids upstairs.  Mr. Roper says he hasn't the proper/right equipment.  She agrees.  He means his power drill, which is ten years old.  She says it's eleven, he got it for her birthday.

Mildred also wants George to mend the pedal bin (one of those kitchen trash containers with the lever you step on).  The shelves fell on it.

George/Stanley has been kibitzing, and he now tells her that the deck is missing three/four cards.  (So the Americans take an inch off Betty's waist and add a card?)

George goes out to the entryway, where Sandra's coming in.  She's looking for Mr. Tripp.  George says first floor.  (In the British sense.  George lives on the ground floor.)

Not important:  We find out that Jo only vacuums the part of the room she goes to.  Chrissy says it must be really hard work, being as lazy as Jo is.

The doorbell rings and Brit-Chrissy/Janet answers.  It's Sandra, looking for Robin/Jack.  Brit-Chrissy says she just missed him, while Janet adds the detail that he went to a basketball game.

Sandra says it's not important, then bursts into tears.  Brit-Chrissy brings her in and gives her a handkerchief, which she blows her nose on.  Janet invites Amer-Sandra in.  Sandra says no thank you, but comes in anyway.

Brit-Chrissy offers Sandra tea, but Jo says there isn't any.  Amer-Chrissy offers the tea and then remembers they're out of tea.  The Sandras cry more.  Jo/Amer-Chrissy offers to buy some tea.

The Sandras say they're pregnant.  They're sure.  It's been six weeks and they were sick yesterday.  Their father will kill them.

The girls ask if Robin/Jack is responsible.  He is.  Brit-Sandra adds the detail, "He said it was all right if we were standing up."

Amer-Sandra says, "I haven't seen him in months.  Well, at first I didn't worry, 'cause he told me he had a lot of cavities to fill."  Chrissy looks confused, Janet mildly disgusted.  Sandra says Jack is a very fashionable dentist.  Sandra tried to call Jack, but he just hung up on her.

The Sandras think they shouldn't have come here.  "He'll think I'm trying to trap him."  Brit-Chrissy says he's got to know sooner or later.  Janet says he has to be told.  The Sandras insist that the girls not even tell him she came by.  As the Sandras leave, they say, "Thank you for the tea."  Amer-Sandra bursts into sobs.

Brit-Chrissy/Janet tries to stop her, Janet calling, "Hey, what's your name?"  Then Janet closes the door.

Brit-Chrissy:  Honestly, that's typical.  Getting a girl pregnant.  Only a man could do that.
Amer-Chrissy:  Well, this is typical.  Getting a girl pregnant.  Only a man would do a thing like that.

On 3'sC, there's a dissolve, while MatH takes us back to the Ropers'.   The sort of parallel scene on 3'sC shows up much later.

Insinnuendos:  The 3'sC Ropers scene starts with Stanley impatiently trying to get the bird to speak, calling it dumbbell in his frustration.  Helen brings in a cake with one candle.  She's celebrating the tenth anniversary of her "new spring outfit."  (She's in her usual muumuu and beaded necklace with matching earrings.)

He says he's had a hard day.  She points out that it's only 10 in the morning, but he says he's been listening to her since 7.  He does his patented take to the camera, and the audience applauds as usual.

She asks if he's fixed the window in the kids' apartment yet.  He hasn't, so she says, "Honestly, if I want anything done around here, I have to do it myself.  And that includes just about everything."

Over on MatH, George talks about various tools he needs to mend each other before he can work.  She says, "If I want anything done in this house, I've got to do it myself.  And that applies to practically everything."  He says he's tired of her constant "insinnuendos."  There's many a woman who would appreciate him.  Stanley says there are lots of women who'd appreciate him.  He looks at himself admiringly in the mirror.

When asked to name a woman who admires him, George says the woman in the greengrocer's was giving him her come-hither glance, while Stanley says the blonde checker at the supermarket has lately been giving him that come-on look.  Mildred/Helen says, "Not out of her good eye."

The MatH scene ends here for the moment, but 3'sC continues with lines from further into the MatH episode, so we'll return to this later.

Is that her name?:  After the dissolve on 3'sC, Janet (who sometimes sounds like an Archie comic book character) says, "Gee whiz, Chrissy, he wouldn't even talk to her on the telephone."  Then Jack comes home.

We see Robin and Larry outside Robin's door.  Robin is talking about the match.  Larry seems distracted and keeps looking upstairs.  He turns down Robin's invitation for coffee in the flat, so Robin goes in alone.

The British girls are in the kitchen.  Robin comes in and starts gushing about the match, demonstrating with sugar cubes.  They don't seem interested.  Jack tells the girls in the living room about the game, referring to Kareem (Abdul Jabbar).  The girls try to ignore him.

Brit-Chrissy/Janet says Robin/Jack's girlfriend was here this afternoon.  He says, "Linda?"  Brit-Chrissy says, "Is that her name?"
Amer-Chrissy:  Is that her name?  It's too pretty for you.
Jack:  Luckily, I've got my own name already, thank you.
("Linda," by the way, means "beautiful" in Spanish.)

Brit-Chrissy/Janet starts to tell Robin/Jack about Sandra, but Jo/Amer-Chrissy says the girlfriend did tell them not to tell him.  Brit-Chrissy says somebody should tell him.

Robin/Jack asks what they're not supposed to tell him.  The Chrissys say he's going to be a father.

Robin is very surprised and says, "Oh, Christ!"  Jo says, "She's pregnant by you."  He says he gets the point.  Jo says, "So don't you tell her we told you she told us."  He's not even supposed to know she's been here.

Robin:  What have I done to deserve this?
Chrissy:  All you're thinking of is yourself.  You're a rat.
Robin:  I don't suppose there's any doubt.
Chrissy:  No, there isn't.  You're a rat.

She asks what he's going to do, and the scene ends on that cliffhanger.

Jack is stunned.  Slowly sinking to the floor, he says, "Oh my God!"  He misses the couch, so Chrissy tells him, "Be careful!"  He says, "I thought I was."  And the scene ends there.

All that and a bag of chips:  As I mentioned with "I Won't Dance," Alison Hughes returns as Linda, now with sort of a Dorothy Hamill/Carrie Fisher mid-'70s long-bob cut.  Anne Schedeen makes her first of five appearances on 3'sC, although Linda had been referred to on "Alone Together."  She's a tall, striking redhead who comes off better on this show than on what I've seen of her as the mom on ALF (1986-90).

Robin and Brit-Linda are at a restaurant fancy enough that he's wearing a tie.  Jack and Amer-Linda are in the side booth at the Regal Beagle, because the Americans don't build an extra set when they don't have to.  Brit-Linda talks about what she's going to order, but Robin isn't listening.  Jack sits stunned, with his chin in his hand.  Linda is drinking red wine.  She looks at an empty bag of potato chips and says she wants more chips, but he's not listening.

Robin says they've been going round together for three or four months, which would mean that they were dating three weeks ago, when he was trying to get Chrissy to stay in a hotel. 

Jack:  Linda, how long have you and I been going together?
Linda:  Oh, two or three months, give or take a month.
Jack:  I wish I could.
This is actually accurate chronology, for once on 3'sC, since "Alone Together" aired on Oct. 25th, three-and-a-half months earlier.  Of course, that episode implied that Jack and Linda had been going out for awhile, but it's still close enough.

Robin says he hasn't been going out with any other girls, which is true at least as far as what we see on the show, since the last non-Chrissy woman he did anything with was Angie, back in October.  Linda says, "Neither have I," making it sound like she hasn't gone out with any other girls either.  He says he wouldn't mind if she's been going out with any other fellows.  He wouldn't be at all jealous.  She hasn't.

Amer-Linda:  You know what?  I could really dig a pickled cucumber with those chips.  I've really got a craving.
Jack:  (to himself) Oh boy, here we go.  (speaking up) Linda, I never said you mustn't see other guys, did I?
Linda:  No.
Jack:  Well, then I guess you've been going out with lots of other guys besides me, right?
Linda:  (smiling) No.  When I'm going with someone, he's the one, the only one.
Jack:  What a shame.  No, I admire those values.

He says he wouldn't mind if she'd been seeing other guys.  She could tell him.  She hasn't.  He unconvincingly says that makes him very happy.

Robin picks up a tomato-shaped ketchup dispenser and fiddles with it.  He says he's sorry he missed her this afternoon, then corrects himself.  No, he didn't miss her, since she wasn't there, but he's sorry he wasn't there when she didn't come round.
Brit-Linda:  I'm gonna have a rum barber.
Robin:  I know, they told me.
(Maybe I heard her wrong, since rum barber seems to have more to do with barbers than rum.)

Amer-Linda:  I'm gonna have a bag of chips.
Jack:  I know, they told me!

Jack takes a sip of wine for courage.  Robin/Jack asks if Linda agrees that a baby should have a father as much as a mother.  Brit-Linda just says yes, but Amer-Linda gets the line, "It helps."

Robin blurts out, "Linda, I'm asking you to marry me."  She says, "Oh, Robin!" and squeezes his hands, squirting ketchup all over his face.  She and the audience are very amused.  She wipes his face with a serviette and we break for adverts.

Jack stutters as he asks Linda to marry him.  In her joy, she spills salt on the table, then throws it over her shoulder for good luck.  He tries to do the same but hits his head with the shaker.  And we go to commercial.

Rat or pig:  When we return, the British girls are watching an American movie on the telly, with "country" accents.
American actress:  I don't rightly know that.
American actor:  Did she not get my letter?
American actress:  She didn't give me the word.

The American girls are on the couch, Chrissy doing her nails while Janet does a crossword.  Janet asks for a four-letter word for "pain."  Chrissy thinks about it and then says, "Pain."  Janet starts to write it down and then realizes and gets annoyed.  (I assume it was "ache," but we never find out.)

Robin lets himself and Brit-Linda in.  He has his flatmates turn off the telly.  Jack comes home with Amer-Linda.

Robin has a very important announcement to make.  He winks as he says they haven't met Linda yet.  He says, "I'd like you to meet my fiancée."  Jack has an important announcement, "Linda and I are engaged."

Brit-Chrissy says, "Oh, you rat!"  Robin thinks this isn't as good as congratulations.  He asks Jo, "What'd she call me a rat for?"  She says, "You pig!"

Amer-Chrissy says, "You rotten rat!" and leaves the room.  Jack asks Janet, "Why did she call me a rat?"  She says, "Because you're a pig," pronouncing the P so strongly that she seems to blow air in his eyes, indicated by his blinking a lot.  Jack tells Linda, "I think they're happy for us really."

Robin/Jack has Linda sit down while he goes to the kitchen to get her coffee.  Jo/Janet says, "It's not your fault, I don't blame you."  The Lindas say, "Thank you," Brit-Linda just puzzled, while Amer-Linda delivers the line in a colder, tougher way, as suits her portrayal.  (Alison Hughes's Linda seems sweeter and more vulnerable.)

As well:  In the kitchen, Robin/Jack expresses his confusion, since he did the decent thing, Robin adding that  it's old-fashioned.  Linda's pregnant, so he's going to marry her. 

Brit-Chrissy:  You got her pregnant as well?
Robin:  Yes.  No!
She's talking about the girl from this afternoon.  Now he's really confused.

Amer-Chrissy has her back to Jack, but now she whirls to face him, exclaiming, "You got her pregnant as well?"  He asks "As well as what?"  She means as well as the girl from this afternoon.  Like Robin, he's further confused.

Go for the body:  Brit-Larry is in his flat, reading a porn magazine.  Robin knocks and Larry answers.  Robin is in his dressing gown, since, as Larry points out, it's nearly midnight.

Jack is fully dressed and already sitting on Amer-Larry's couch, rubbing his own temples like he has a headache.  Larry is in his lounging pajamas and mixing drinks. 

Robin tells Brit-Larry he's engaged to be married, so Larry says that Robin needs a stiff drink.  Robin comes in.  Robin says, "Trouble is, she isn't pregnant."  Larry says, "No, well, it happens.  Not often, I'll grant you."  Robin says he thought she was.

Amer-Larry says, "Let me get this straight.  You did the right thing to the wrong girl?"

Robin says some girl came round while they were at the football match.  He doesn't know who the hell she was.  She said she was pregnant and he was the father, so naturally he thought it was Linda.  But it was some blonde thing he's never even met before.  Larry realises it was Sandra but doesn't say anything yet.  Robin says that the girl knew his name, Robin Tripp.  Larry says, "Have another drink, Mate."

Jack says it was some girl he's never met, with short dark hair, and she thinks he's a dentist.  Amer-Larry chokes on his drink. 

The Larrys tell Robin/Jack, "When you hit me, go for the body, not the face."  Robin/Jack says he's not going to hit him.  Then Robin/Jack realises that this mess with the girl has something to do with Larry.  He quotes Larry's rule, "Never give 'em your real name."  Brit-Larry says, "There's that fast mind of yours working again." 

Jack goes for the body by yanking out one of Larry's chest hairs.  The audience is delighted.

Robin is very annoyed that Brit-Larry "gave one of your scrubbers my name."  He asks what was wrong with Orinoco Womble. 

Jack asks why Amer-Larry used his name.  "What's wrong with John Wayne or Richard Nixon?"  Larry says, "It's easier to remember when it's a real person."  John Ritter looks like he's trying not to laugh.  (I don't think they were making a political comment by having Larry imply that these two Republicans were unreal, but you never know.)

Monk:  The next morning, in the kitchens, the American trio are in their nightclothes, while Robin is still in his dressing gown but Brit-Chrissy is dressed for work. 

Brit-Chrissy says, "I might've known.  If a girl's in trouble, it'd have to be Larry."  Robin says Larry never pretended to be a monk.  She says, "What about that girl with the convent school?"

Janet:  We should've known it had to be Larry.  I mean, of all the tricky guys we know, Larry is the most tricky one of all.
Jack:  (overlapping) Oh, come on, Janet.  He never pretended to be a monk.
Chrissy:  Yes, he has, with that girl from the convent school.
Jack:  I'd forgotten about that.

Brit-Chrissy:  (to Robin) You're just as bad....You thought you were gonna be a father.  How's that supposed to have happened, telepathy?
Janet:  And you can stop playing the saint.  I mean, you thought you were gonna be a father, Jack.  Now, how's that supposed to have happened, telepathy?

Robin says he has to break it off.  She says that's the most sensible thing he's said.

He says, "Suppose we were engaged, and I said I wanted to call if off 'cause you're not pregnant."  She says that isn't a guide, since Linda might not have a bread knife in her hand.

Jack is supposed to see Amer-Linda tonight and wonders how she'll take it when he tells her he doesn't want to marry her.  Amer-Chrissy says, "Well, like any normal girl, she'll scratch, scream, hit, bite," then she does her snort-laugh.

Jo comes in, also dressed for work, and says good morning.  Robin asks how she'd break off an engagement.  She says she'd throw the diamond ring back at the man.  Robin says he doesn't have a ring.  She says, "Well, you're going out with the wrong sort of boys."

Brit-Chrissy has a suggestion, although it's a bit unorthodox, a bit way out:  just tell Linda the truth.

Jack says Amer-Linda will understand, since she knows it's wrong for two people to get married when they don't love each other.  And their relationship is purely platonic.  His roommates look at him.  He sheepishly adds, "Most of the time."

Co-op milkman:  Back at the Brit-Ropers', George reads the paper and finds an article called "Co-op Milkman Has Love Nest."  The milkman's wife suspected nothing, which George thinks proves his point about wives not realising how attractive their husbands are.

He also mentions "Mrs. Whatshername" in #2.  (No wonder she wasn't identified in the movie.)  She winked at him last week.  Mildred says she winks at everybody, since she's got a twitch.

We're back in the "cake" scene with the Amer-Ropers.  Stanley has trouble thinking of another woman who finds him attractive besides the blonde checker.  Helen tells him to go fix the window upstairs.  Before he leaves, he says, "What about Mrs. Wilson in 301?"  She's been smiling at him lately.  Helen says she's just showing off her new teeth.

The parakeet starts saying dumbbell.  Helen laughs a lot and the scene ends there.

Mildred says she's perfectly willing to be jealous.  She'd like to think that other women fancy her husband.  She doesn't enjoy being pitied.

George talks about how when they were on holiday, he scored "sex bomb" on the love machine in the arcade.  (Cue the Scott Pilgrim reference.)  She says he had to use both hands, and a foot.

She suggests he either mend the pedal bin or go upstairs and mend the window.

Ballet:  The scene at the White Swan starts with Robin in the middle of an awkward explanation to Brit-Linda.  She asks if he wants to break off the engagement.  When he says yes, she says, "Know what you are?"  He answers, "Yes, a rat, or possibly a pig."

This time, Jack and Amer-Linda are at the center table, which is more visible to the rest of the pub than the booth is.  Unusually for the show, Linda is smoking, but there's a reason for this.  They both have something to say, but she puts her hand with the cigarette to his mouth to hush him.  He coughs and she apologizes.

She says she doesn't want to marry him, and tells him not to take it too hard.  She doesn't want to be tied up right now.  She thinks she's hurt him.  He says he's a touch wounded, because he doesn't want her to know how happy he is.

Brit-Larry, in his Oxford shirt, is eavesdropping at another table, so when Linda thinks it's someone else, and Robin says, "Who else could it be?", Larry comes over and says, "Hello, Robbie.  I haven't seen you for weeks.  Have you been avoiding me?"  He sounds more chipper than queeny.  He says there's been gossip down at the ballet school.  " 'Where's your friend?' they've been saying."

Amer-Larry is watching from the doorway, apparently too far away to tell what Jack and Linda are talking about.  Linda says she's sorry, and Jack says, "Hey, Honey, it's whatever you want."  Larry comes over and queenily says, "Oh, Jacky, where have you been?  I haven't seen you for weeks!  Have you been avoiding me?"  He puts his hands on his hips.  The audience is again delighted.  Larry says everybody's been gossiping at ballet class.  " 'Where's Jacky, where's the cute guy in the pink tights?' "

Robin says, "I know what you're trying to do, Mate, but she knows I'm not, (to Linda) and neither is he."  Jack says he knows what Amer-Larry is trying to do but it's OK between him and Linda.

Brit-Linda stands, with a cigarette in her hand.  Robin gets to his feet, with a beer in his hand.  He tells her that this needn't change their relationship.  He's still very fond of her.
Brit-Larry:  And where do I stand in all this?
Robin:  Will you shut up!

Amer-Larry is relieved.  He says Linda is quite a girl.  "You don't mind that the only reason he asked you to marry him was because he thought you were pregnant?"  Linda exclaims, "HE WHAT?"  Jack says Larry is such a clown.  Linda gets up and says goodbye.

Robin asks if they're still all right for next Saturday.  She puts her cigarette in his drink and leaves.  He says, "No, we're not." 

Jack asks Amer-Linda, "See you Saturday?"  She comes back and puts her cigarette in his drink, then leaves.  He says to Larry, "I guess not, huh?"  He tries to make Larry take a sip.  The scene ends there.

Brit-Larry says, "I told you I'd think of something."  Robin calls him a dummy.  Percival the barman says he couldn't help overhearing what Larry was saying.  He touches Larry's shoulders and flirtatiously waves his barcloth (or whatever you call it, the thing that he'd clean the glasses with).  Larry grabs Robin's arm and says, "I'm with him."  Robin bellows, "Will you get off?" and pulls away.

Close shave:  Back at the flat, George says that they've got a jammed window.  Chrissy says she thought it might be that when they couldn't open it.  He says he'll have to shave the edge, so Jo says that there are lather and a brush in the bathroom.  Stanley is also working on the window.  When he says he's got to shave the edge, Chrissy tells him, "Oh, well, you can use Jack's electric razor.  It's in the bathroom."

All four girls leave.  George examines his tools, then finds the bottle opener for his beer.  He opens it, drinks some, and says, "Oo, lovely."  Stanley knows the thing he needs for this job.  He finds a can of beer, opens it, and takes a drink.

The phone rings at both places, and the landlords answer, which is typical of the lack of privacy on both shows.  George even tells the caller that Robin is at the pub, the White Swan.  Stanley tells the caller that Jack Tripper lives here.  After George rings off, he says, "Cheers," and drinks some more beer.

Which one?:  This transitions to Brit-Chrissy saying cheers.  She and Jo have joined the fellows at the White Swan.  She asks how Linda took it.  Robin says, "Not bad, I'm just glad she didn't have a bread knife on her."  Larry says, "You should see what she did in his beer."  There's no audience reaction.

Amer-Chrissy:  How did Linda take it?
Larry:  (amused) You should've seen what she did in his beer.
There's stray laughter.

Jo says it served Robin right.  Pointing at Larry, Brit-Chrissy says, "And he's even worse."  Larry says, "Don't pick on me, I'm being victimised."  The trio scoff.

The phone rings and Percival answers with "Hello.  This is the White Swan speaking."  He says there's a phone call for Robin Tripp.  Robin asks which one.  Percival asks the caller, "Which Robin Tripp do you require?  There appear to be several.  Oh!  The airline pilot and fashionable dentist."

Jim the bartender answers the American phone.  When he's asked which Jack Tripper the caller wants, he just says, "Uh, which Jack Tripper do you want, Miss?  Ah, the airline pilot and fashionable dentist."

The Larrys go to the phones.  Percival tells Brit-Larry, "I'm afraid it's a female."  Amer-Larry uses his customary greeting of "Yello."

We see the Sandras in the phone box and phone booth again.  Brit-Larry goes on the offensive with "How do I know it's mine?"  Sandra says it's nobody's, nothing isn't.  She got the dates mixed up and she's all right. 
Amer-Larry:  Are you sure?
Amer-Sandra:  I'm positive.  I got the dates mixed up.  I'm all right.

The Larrys are happy and relieved.
Brit-Larry:  What are you doing tomorrow night?
Brit-Sandra:  Nothing.  But my daddy's ever so mad.  He says he's coming round to sort you out.

We go to split screen on 3'sC, and Amer-Sandra says she has to thank "Jack."  That lovely ring he gave her, she sold it for $500.  "Oh, and another thing, Jack.  My dad?  He's real mad at you and he says he's coming over to your place to--"  Larry quickly hangs up.  He cries, "I gave her my real ring!"  In a reverse-angle shot, the trio are amused.  Jack says, "Serves you right!"

Mad dad:  Back at the flat, the doorbell rings.  George greets a large older man with a gravelly voice.
Man:  Robin Tripp?
George:  Er, yeah, that's right.  I was just leaving actually.
Man:  Oh, no, you're not.
He backs George into the flat.  He's played by Mostyn Evans, whose most notable credits are six episodes of Dr. Who, as three different characters.

Stanley is at the window when the doorbell rings.  He hits his hand with the hammer and then drops the hammer on his foot.  He answers the door for a not particularly threatening-looking bald man with glasses, a suit, and tie.
Man:  Jack Tripper?
Stanley:  Yes?
Man:  You dirty old man!

He chases Stanley around the living room.  Stanley says, "Don't hit me!  I'm a veteran!"  The man chases him some more.  And the episode ends here.

The American father is played by Ted Gehring, who has a heck of a lot of credits, starting with The Big Valley in 1965, when he was about 36.  He often played military or police officers.

Iodine:  Brit-Larry and Robin enter the entryway.  Mrs. Roper comes downstairs.  Then the girls come in.  Mrs. Roper says she borrowed their iodine.  They ask if there was an accident, but she says it was no accident.

We go into the Ropers' flat and see that George has a black eye.  His wife says, "He did it on purpose, didn't he?"  She says George was running after young girls, "at your age."  He says, "It's not true, Mildred."  Larry tuts, then says, "Disgusting."  Robin gives him a look.  And the episode ends.

Commentary:  It's arguable that the British Larry is sleazier than the American one.  To begin with, he has that soft-core pornography in his flat, the poster and the magazines.  While Jack is "being careful," Brit-Larry is handing Sandra lies like you can't get pregnant having sex standing up.  Also, instead of showing any sympathy to Sandra, he asks how he knows her baby is his.  And then he actually asks her out again!  Admittedly, Robin/Jack wonders if he and Linda are still on for Saturday night, but at least he's punished for the question.  (Brit-Linda putting her cigarette in Robin's drink is awkwardly directed, and it feels more in character for Amer-Linda.)

On the other hand, Amer-Larry is giving away all those fake wedding rings, which karmically punishes him when he accidentally gives Sandra the real thing.

Neither Larry thinks to warn his best friend that he's using his name with Sandra, not even when she thinks she's pregnant.  And neither warns Robin/Jack about Sandra's angry father.

The Sandras aren't presented particularly sympathetically, or unsympathetically.  The supposed pregnancies are played for laughs, and the Sandras don't seem very bright, particularly since they're mixed up about dates.  Actually, the writers seem equally mixed up about dates, especially the Americans.  How can it be both six weeks since Sandra's period and months since she's seen "Jack"?  Even if she means her period is six weeks late, this still doesn't add up right. 

It does feel harsh for Robin to call Sandra a scrubber, meaning a "coarse and sexually amenable or promiscuous woman."  Even if Sandra came across as promiscuous, it would be rude to put it like this, but she seems more trusting than wayward.

Jack comes across as a little more controlling than Robin, based on how Robin says he wouldn't mind if Linda had dated other fellows, while Jack phrases it as his never having said she couldn't.  This episode also in some ways is a step backward for Jack and Linda's relationship, since on "Alone Together," he said he was a one-woman man with her, while here he says they're not in love and it's practically platonic.  At least Robin admits to being fond of Linda.  The Lindas must forgive Robin/Jack at some point, because both will return.

The references to violence on these two episodes range from castration (Robin breaking it off, threats to his package by bread knives), to scratching, hitting, and biting, to an actual black eye.  All of this is played for laughs, and interestingly, Larry suffers none of it, despite the attempts by the Sandras' fathers.

Some aspects of the plot are handled better in some ways on one show than  the other.  For instance, the ending of MatH is stronger, not only because Mr. Roper actually gets hit, but because it ties up the trying-to-make-Mrs.-Roper-jealous subplot more neatly than on 3'sC.  Also, I like hypocritical Larry having the last word.

It makes more sense for Brit-Larry to step in and try to help Robin, particularly since he promised to.  Jack has smoothed things over with Amer-Linda and there's no reason for that Larry to try to help.  On the other hand, he makes a better queen than Brit-Larry does.

Speaking of gays, it's interesing that Percival the barman is gradually becoming "gayer" as MatH goes on, although he's not as prissy as he was in his incarnation as Larry's landlord.  Ironically, Paul Ainsley, the actor who's making his fourth of eleven (credited) appearances on 3'sC, is gay but never minded the jokes about homosexuality.

There's also a suggestion of female masturbation, with Mildred/Helen's solitaire symbolic of how she has to do "everything" around here herself.

We get the usual divvying up of Brit-Chrissy and Jo's lines:  one or two to Jack, and then all the dotty-sounding ones going to Amer-Chrissy, the cynical ones going to Janet, and then roughly Brit-Chrissy ---> Amer-Chrissy and Jo ---> Janet for the rest.  There's not terribly much RCST, despite his asking her to imagine him proposing to her, thinking she's pregnant.  However, the RCST sounds like it will be making a welcome return next episode....